
Frank
Webster
Bio
Frank Webster
SELECTED SOLO AND TWO PERSON EXHIBITIONS
Frank Webster at 527 Madison Avenue, Jay Grimm Art Advisory, New York, NY (2025)
Earthed Lighting: Landscape Paintings of the North by Frank Webster, Isabel Sullivan Gallery, New York, NY (2024)
No Man's Land, the Royal Society of American Art, Brooklyn, NY (2022)
Solo Exhibition of Paintings, Lorimoto Gallery, Queens, NY (2021)
Katabasis, Second Street Gallery, Charlottesville, VA (2020-21)
Paintings from Iceland, Hathaway Contemporary Gallery, Atlanta, GA (2017)
Paintings by Fabian Patzak and Frank Webster, Galerie Trapp, Salzburg, Austria (2015)
Nature, Loft 8, Vienna, Austria (2015)
Margins, The Lodge Gallery, New York, NY (2014)
Eigengrau: Lauren Seiden and Frank Webster, Storefront Bushwick, Brooklyn, NY (2013)
Frank Webster, the University of Wyoming Visual Arts Gallery, Laramie, WY (2012)
In the Landscape of Extinction…, Blackston, New York, NY (2010)
Outland, Bespoke Gallery, New York, NY (2008)
Environ, The Rymer Gallery, Nashville, TN (2008)
Metamorpheses, Bespoke Gallery, New York, NY (2006)
Sprawl, Sara Meltzer Gallery, New York, NY (2002)
The Plainness of Plain Things, Sara Meltzer Gallery, New York, NY (2001)
Paintings, Arena, Brooklyn, NY (2001)
New Paintings, Robert Pearre Fine Art, Tucson, AZ (1999)
Paintings, Fotouhi Cramer Gallery, New York, NY (1997)
MFA Solo Thesis Exhibition, May Duff Walters Gallery, MGSA, Rutgers University, New Brunswick, NJ (1993)

Pieces
Number of items found:
13
Artist's Statement
Frank Webster is a painter devoted to the natural world. His work captures its fleeting fragility while evoking grandeur and sublime power. Rooted in the plein-air tradition, he makes watercolor studies directly in nature, later expanding them into large-scale canvases in his New York studio. His practice explores memory, transformation, isolation, and the rapturous as well as melancholic dimensions of landscape.
A residency in Northwest Iceland inspired a series on its stark, ethereal terrain. These paintings draw on the tradition of the sublime in the context of our period of rapid environmental change. While scientists record these shifts in data, Webster translates them into human terms—registering their emotional and existential weight. His work engages not only with scale but with deep time, bearing witness to both human fragility and resilience.
For Webster, landscape is never static. Shaped by wind, water, and climate, it mirrors his method: layers of paint built like sedimentary rock, each gesture measured and patient. His paintings aspire to capture something as elusive as music, rendered in malleable, earthy pigments. Embracing this paradox, he composes like the elements themselves—persistent but delicate, mutable yet enduring.
His process begins with direct engagement: traversing terrain, sketching, and making watercolor notations that evolve into monumental canvases. This oscillation between wilderness and urban underscores a central tension—between intimacy and immensity, fragment and whole. By tracing the contours of the earth through his own hand, Webster affirms the importance of detail while pointing toward the vastness implied, recognizing the preciousness of the part within the precariousness of the whole.












